強烈な個性（いい意味で）を持つ5人によるLUNA SEA。 その中で、空間を自由自在に操るSUGIZO氏を紹介します。 彼の機材を見て驚くのは、コンパクトエフェクターです。 主に70年代の個性的なエフェクターがずらりとならんでいます。 これらの個性的なエフェクターを集めたSUGIZO氏もすごいですが 使いこなしているのには驚きますね。 彼の独特な空間は、これらのエフェクターがあってこそなんですね！ ◆ GUITAR ◆ ESP ECLIPUSE S-I Fender JAGUAR 等 ◆ EFFECTS ◆ FUMAN パワーディストリビューターEx-pro ワイヤレスレシーバーKORG DTR-1Eventide ULTRA HORMONIZEREventide ULTRA HORMONIZERROCKTRON PACH MATEt.c.electoronic 2290t.c.electoronic 2290CRY BABY DCR-15RProvidanceVHT 2150 POWAR AMP ＊その他、ミキサー等 多数有り MAXON MODOLATION DELAY *2 Fulltone SOUL BENDER Carl Martin HOT DRIVE'N BOOST Boot-Lag COOL-MAN MXR DYNA COMP MXR PHASE90 Roger Mayer VOODOO-VIBE Tone Works G5 SYNTH BASS PROCESSOR Providence RING MODULATOR Electro Harmnix MICRO SYNTHESIZER BOSS CE-1 Tone Works G4 ROTARY SPEAKER SIMULATOR MAXON AUTO FILTER ◆ 足元 ◆ CRY BABY WAH PEDAL BOSS FV-20 *2 DigiTech XP-100 ◆ AMP ◆ Bogner Fender TONE MASTER Fender Speaker Cabinets 轉載自http://www.effector-mania.com/ 基本上這些effects都很難找到 這些都只是輔助的,要模擬大咖的音色還是要從amps著手ˊˋ
因為他的拾音器出力都不大,如果要用09,永遠彈不出那個味道,當然,不想要求完美的話,那用09就好,他的設備很難買到跟他完全一樣的,也很難買齊,與其花銀子,還不如從指力練起,起碼單線圈加粗弦,已經有幾分味道了,何況本尊都用011了,身為fans,有什麼立場用09?還是只是偷懶不想彈011?幸好你問的不是SRV..........
不過我在書上看到的是SUGIZO是使用Ernie ball009~042(紅色) INORAN是使用Ernie ball010~046(黃色) 書名:SUGIZO&INORAN Complete Guitar Book [LUNA SEA]
Sorry ..i still don't understand what is the different of the 009 and 010.........can you tell me more?
Sorry !!!but how about --DigiTech Whammy? i saw sugizo had use this in the show......... And is it some people help sugizo to control the effect when the live show is running?
不是啦^ ^"...他上面應該是說SUGIZO是011-052...而INORAN則跟當時一樣沒有變@@ 我也換成011-052了....換了之後我現在已經不會想換回去了... 想換的快換吧...別猶豫了.....
快當兵了 不然我也想換011.來操操看..哈... 我覺得sugizo的破音還真難做出來.......... 不知道還有哪一顆破音可以做到類似的... 不過那本書.. 我也有..裡面真是讚啊...羨慕...真恨不得馬上買把S-I .或其他 S 系列 記得看過他們早期某場演唱會. Sugizo 把煙火(還是火藥?).裝在琴裡面. 彈完一首歌後..點燃..整把琴就燒了起來..煙火出現~ 煙火沒了後.就摔琴...........
In addition to just effectrs, the keys to Sugizo's playing style and tone are as follows: 1. he was a classically trained violinist, and that's reflected heavily in his melodic ideas, playing style, and techniques (spacious sustain, vibrato, gliding melodic lines, smooth 'violin tone'). he essentially approaches the guitar as a big violin. 2. his tone generally relies heavily on sustain and tasteful uses of delay, with heavy emphasis on a transparent midrange. 3. he uses mainly hot single coils (i.e. sugizo eclipse s-1 with 3 x seymour duncan antiquity custom bridges (= hot) single coils in all three positions, and the inherently hot single coils on his vintage jaguars). the hot single coils captures the midrange bite that is consistent with the violin-ish tone and approach that constitutes his signature sound.