怎麼沒人喜歡George Lynch

朱力安∼是咩，我認識的也都是專業人士，他們教我的知識怎麼可能會錯。
只是我也不想吐員外的槽，因為那位住深坑的吉他大師我也認識咩。
不過員外漏了一點，他不止受到老喬的認可，連阿Vai都讚譽有加。
我還聽說最近他很忙沒時間練琴，鼓手即將唾棄他，大師地位恐怕不保，哈哈哈哈。

Shawn∼這個烤肉是不難啦，但要jam一下的話技術上有困難咧。
野外又沒電，除非自備發電機。不然只好用木吉他，唱些安普辣格的。
我看還是去找吉他大師吃吃臭豆腐就算了。

 

to 閃電老師....
對啊....
所以我這次要作的小AMP是要回去看有誰的老家俱不要!!
把它拿過來作......
好木材是要這樣找的.....

to Julian
大師的琴接受冷氣水的滋潤
而後進行乾燥作業而得道升天是不爭的事實.....
認了吧......

 

哎呀.......沒跟到,,,真可惜........
員外,下次辦烤肉或露營啦.....人越多越好玩!!!

 

好吧！我就相信大鬍子的說法吧！
那我們是不是該怎被去打撈鄭和下西洋時的古船，或是拿破崙時代的沈船，那可不只一百年耶！
那麼大的一艘船可以作許多琴和音箱，還可以作許多家具

 

昨天跟鼓廠老闆談到木質的差異點，證實一點:
同品種的木料會因為不同產地的關係嚴重影響聲音好壞。
如他的鼓廠高級鼓都用北美楓木，低等級的用亞洲楓木。
同樣都是楓木兩者間的價格差好幾倍，聲音也真的是差好幾倍。
小提琴用的楓木更貴。
我也問他basswood是否也是如此，答案是肯定的。

心得:我以後不敢說我不喜歡basswood了。

 

對啊~~~瞧你把我的JS估價估得一文不值...

這次帶去大家都說棒(只有員外說是爛琴)，嘿嘿~~
連Ibanez專家roger跟木材專家閃電都認可了，大鬍子跟員外就別太牛了!!哈哈哈~~~
就算你們拿一些貴一兩萬的琴要跟我換我才不要呢~~
I'm a hardcore Satch fan!!! hahaha!!!!

 

那種的只怕水份都滲進木心了......
因為造船時極少是使用整根的原木.....
都是使用裁切過的木板.....外面再漆上一層防水漆罷了!
要找沒切過的.....找到一根就發了.....
直徑最好比我高兩倍(神木!?).....
太老的也沒用....樹幹中間如果變空心容易再滲水進去!!
那是很慘的.....
老木(我沒罵人喔)還是有它的優點的.....

 

朱力安∼不然我用許瑞德的bass貼兩萬跟你換好了。

 

叔叔 ，你想太多了，我前年就跟他們去聽過pet的演唱會，你看他們倆一直相親相愛到現在....
</font><blockquote>引言:</font><hr />所以等下次只有死會的人參與再找妳茶敘比較妥當 </font>[/QUOTE]喝茶就好了，吃人參太高級了....

 

昨天應該跟員外拓賭的，這樣我就可以以一斤三十的價格來買桃花心木。還好鼓用不到pu也不需搖桿。

 

想撿淡水的木頭!?....
省省吧......
有好貨我早就先撿走了......
而且....有沒有那麼大片的可以讓你作東西?!.....
就算有.....你拿回去要花幾年乾燥它?!.....
Ya!!這麼多問題.....
如果你覺得你未來的孫子喜歡玩吉他的話......
倒是可以撿回去風乾.....
等到孫子長大時再作給他玩~~~~~~

 

要撿漂流木應該到花蓮沿海撿比較多
尤其是颱風過後 聽說有國寶級的也會被沖下來

 

2004 Van Halen試聽啦..

VH 2004 - It's About Time

有點偏VH3那時的風格耶...不過,Eddie重出江湖就是好事一件...



"It's About Time"
- Van Halen

Transcribed by Jarred Matthes

jmatthes@millenianet.com

h = hammer-on
p = pull-off
/ = slide up
\ = slide down
^ = bend (one ^ for each half step bent)
~ = vibrato
<#> = Natural Harmonics
{#} = Artifical "Pinch" Harmonics
x = muted string
+ = Right hand tapping

TUNING: Eb* Ab Db Gb Bb Eb
* - This guitar requires the use of Eddie Van Halen's patented D-Tuna, which can drop the low E
string one full step with the "flip of a switch." Eddie switches the D-Tuna's position during the song.
This can be concluded by the low D in the opening chord and the chorus, and by the High E chord with a low
E bass during the Pre-Chorus, and the Natural Harmonic run on a low E string found in the second verse.

**SONG BEGINS WITH D-TUNA PULLED OUT, SO LOW E STRING SOUNDS AS A D.**

Intro (0:00): (Palm Muted throughout)

e|-----------------------|---------------------------|
B|-----------------------|---------------------------|
G|-----------------------|---------------------------|
D|-0--0--0--0--0--1--0h1-|-0--0--0--0--0--0h3--1-0---|
A|-0--0--0--0--0--1--0h1-|-0--0--0--0--0--0h3--1-0---|
D|-0--0--0--0--0--1--0h1-|-0--0--0--0--0--0h3--1-0---|

e|-----------------------|---------------------------|
B|-----------------------|---------------------------|
G|-----------------------|---------------------------|
D|-0--0--0--0--0--1--0h1-|-0--0--0--0--0--0h3--1-0---|
A|-0--0--0--0--0--1--0h1-|-0--0--0--0--0--0h3--1-0---|
D|-0--0--0--0--0--1--0h1-|-0--0--0--0--0--0h3--1-0---|

*
e|-----------------------|--------------------------------------|
B|-----------------------|----------------<5>--------<7>h/(10)--|
G|-----------------------|-------------<7>-----------<7>h/(10)--|
D|-0--0--0--0--0--1--0h1-|-0--0--0--<7>------<7>-<7>-<7>h/(10)--|
A|-0--0--0--0--0--1--0h1-|-0--0--0------------------------------|
D|-0--0--0--0--0--1--0h1-|-0--0--0------------------------------|

* - For this part, Eddie plays the natural harmoncs at the 7th fret, then hammers-on and slides
to the 10th fret. This causes the notes to continue to sound as harmonics. It takes a few tries
to get the technique right, but it works.

**AT THIS POINT, EDDIE PUSHES THE D-TUNA IN, RAISING THE PITCH OF THE LOW E STRING FROM D BACK UP TO E.**

Verse 1 (0:21):

E5

e|-------------------------------|------------------------------|
B|-------------------------------|------------------------------|
G|-------------------------------|------------------------------|
D|-2-2---2-2---2-2---------------|-2-2---2-2---2-2--------------|
A|-2-2---2-2---2-2-------5---5-5-|-2-2---2-2---2-2--------------|
E|-0-0---0-0---0-0----/7---7-----|-0-0---0-0---0-0----3^^~~~~~~-|

e|-------------------------------|-------------------------------<12>-|-------|
B|-------------------------------|----------------<5>------<7>--------|-------|
G|-------------------------------|-------------<7>---<5>------<7>-----|-------|
D|-2-2---2-2---2-2---------------|-2-2---2-2------------<7>-----------|---2-2-|
A|-2-2---2-2---2-2-------5---5-5-|-2-2---2-2--------------------------|---2-2-|
E|-0-0---0-0---0-0----/7---7-----|-0-0---0-0--------------------------|---0-0-|
(2/4 Bar)

Pre-Chorus 1 (0:35):

C#m E C#m E

e|-----4--------------------7---------------------4-------------------7-------------|
B|-5-----5---5----------------7---7------------5----5---5---------------7---7-------|
G|-6-------6---6---------9------9---9----------6------6---6--------9------9---9-----|
D|-6-------------6---2---9------------9--------6------------6--2---9------------9---|
A|-4-----------------2---7--------------7------4---------------2---7----------------|
E|-------------------0-0-0----------------0--0-----------------0-0-0----------------|

**AT THIS POINT, EDDIE DROPS the D-TUNA OUT, LOWERING THE E STRING BACK TO D**

F G F G
(0:48)
e|----------------------------|-------------------------|
B|-----10-----12--12h13p12----|-----10\-----------------|
G|-----10-----12--12-------12-|-----10\-----10-10/12/14-|
D|--3--10--5--12--12----------|--3--10\--5--10-10/12/14-|
A|--3------5------------------|--3-------5--------------|
D|--3------5------------------|--3-------5--------------|

Chorus 1 (0:55):

Asus2 D (G)

e|-------------------------------------------------------|
B|----0----3---------------------------------------------|
G|-2----2--2------------------------------5-5-6-7--7-8-9-|
D|-2-------0-0-0-0-0-0-0-0--5-5---5\4\3---5-5-6-7--7-8-9-|
A|-0-------0-0-0-0-0-0-0-0--5-5---5\4\3---3-3-4-5--5-6-7-|
D|---------0-0-0-0-0-0-0-0--5-5---5\4\3------------------|
Ring____| P.M__________|

e|------------------------------------------------------------------------------------|
B|----0----3--------------------------------------------------------------------------|
G|-2----2--2--------------------9-----7------12-----10------14------12------14/16\14--|
D|-2-------0-0-0-0-0-0-0-0--0h7---0h5---0h10----0h8----0h12----0h10----0h12-----------|
A|-0-------0-0-0-0-0-0-0-0------------------------------------------------------------|
D|---------0-0-0-0-0-0-0-0------------------------------------------------------------|
Ring____| P.M__________|

e|--------------------------------------------------------------|
B|----0----3----------------------------------------------------|
G|-2----2--2----------------------------------5/7\5/7/8/9-9-9-9-|
D|-2-------0-0-0-0-0-0-0-0---3/5\3/5\3\2-2-2--5/7\5/7/8/9-9-9-9-|
A|-0-------0-0-0-0-0-0-0-0---3/5\3/5\3\2-2-2--3/5\3/5/6/7-7-7-7-|
D|---------0-0-0-0-0-0-0-0---3/5\3/5\3\2-2-2--------------------|
Ring____| P.M__________|

Asus2 Cmaj7 Dsus2 F G F
(1:16)
e|---------------0-------------0--------------------------------------|
B|-----0-----------0-------------0-----10-10/12-12-12h13p12\----------|
G|--2----2--5-5------5--7--7-------7---10-10/12-12-12----12\----------|
D|--2-------5---5-------7----7---------10-10/12-12-12----12\---3-3\---|
A|--0-------3-----------5--------------------------------------3-3\---|
D|-------------------------------------------------------------3-3\---|

**AT THIS POINT, EDDIE PUSHES THE D-TUNA IN, RAISING THE PITCH OF THE LOW E STRING FROM D BACK UP TO E.**

Verse 2 (1:26):

E5

e|-------------------------------|------------------------------|
B|-------------------------------|------------------------------|
G|-------------------------------|------------------------------|
D|-2-2---2-2---2-2---------------|-2-2---2-2---2-2--------------|
A|-2-2---2-2---2-2-------5---5-5-|-2-2---2-2---2-2--------------|
E|-0-0---0-0---0-0----/7---7-----|-0-0---0-0---0-0----3^^~~~~~~-|

e|-------------------------------|--------------------------------------------------------|-------|
B|-------------------------------|--------------------------------------------------------|-------|
G|-------------------------------|--------------------------------------------------------|-------|
D|-2-2---2-2---2-2---------------|-2-2---2-2----------------------------------------------|---2-2-|
A|-2-2---2-2---2-2-------5---5-5-|-2-2---2-2----------------------------------------------|---2-2-|
E|-0-0---0-0---0-0----/7---7-----|-0-0---0-0--<12>-<12>-<7>-<5>-<4>-<3.4>-<3.4>-<2>-<2>---|---0-0-|
(2/4 Bar)

Pre-Chorus 2 (1:41): *

C#m E C#m E

e|-----4--------------------7---------------------4---------------------------------|
B|-5-----5---5----------------7---7------------5----5---5---------------------------|
G|-6-------6---6---------9------9---9----------6------6---6--------9----------------|
D|-6-------------6---2---9------------9--------6------------6--2---9--11/12\11\9--\-|
A|-4-----------------2---7--------------7------4---------------2---7--9-/10\9-\7--\-|
E|-------------------0-0-0----------------0--0-----------------0-0-0----------------|

*- Changes into a harmonic

**AT THIS POINT, EDDIE DROPS the D-TUNA OUT, LOWERING THE E STRING BACK TO D**

F G F G A
(1:54)
e|----------------------------|-------------------------|
B|-----10-----12--12h13p12----|-----10\-----------------|
G|-----10-----12--12-------12-|-----10\-----------------|
D|--3--10--5--12--12----------|--3--10\--5-5-5-6-7--9p7-|
A|--3------5------------------|--3-------5-5-5-6-7--9p7-|
D|--3------5------------------|--3-------5-5-5-6-7--9p7-|

Chorus 2 (2:01):

Asus2 D (G)

e|--------------------------------------------------------|
B|----0----3-----------------13-\-8-/-13-\-8--------------|
G|-2----2--2-----------------12-\-7-/-12-\-7-/-14h16p14---|
D|-2-------0-0-0-0-0-0-0-0---10-\-5-/-10-\-5-/-12---------|
A|-0-------0-0-0-0-0-0-0-0--------------------------------|
D|---------0-0-0-0-0-0-0-0--------------------------------|
Ring____| P.M__________|

e|----------------------------------------------------------|
B|----0----3------------------------------------------------|
G|-2----2--2------------------------------5-6-7-7--7-8-9-9--|
D|-2-------0-0-0-0-0-0-0-0---5-5-5-4-3-3--5-6-7-7--7-8-9-9--|
A|-0-------0-0-0-0-0-0-0-0---5-5-5-4-3-3--3-4-5-5--5-6-7-7--|
D|---------0-0-0-0-0-0-0-0---5-5-5-4-3-3--------------------|
Ring____| P.M__________|

e|------------------------------------------------------------------------------------|
B|----0----3--------------------------------------------------------------------------|
G|-2----2--2--------------------9-----7------12-----10------14------12------14/16\14--|
D|-2-------0-0-0-0-0-0-0-0--0h7---0h5---0h10----0h8----0h12----0h10----0h12-----------|
A|-0-------0-0-0-0-0-0-0-0------------------------------------------------------------|
D|---------0-0-0-0-0-0-0-0------------------------------------------------------------|
Ring____| P.M__________|

Asus2 Cmaj7 Dsus2 F G
(2:22)
e|---------------0-------------0-------------------------------|
B|-----0-----------0-------------0-----10-10/12-12-12h13p12\---|
G|--2----2--5-5------5--7--7-------7---10-10/12-12-12----12\---|
D|--2-------5---5-------7----7---------10-10/12-12-12----12\---|
A|--0-------3-----------5--------------------------------------|
D|-------------------------------------------------------------|

Interlude (2:29):

(Em)

e|-----------------------------------------------------------|
B|-----------------------------------------------------------|
G|-----------------------------------------------------------|
D|-0-3p0-x-x-x--3p0-3p0-x-x-x--9p8-9p8-x-x-x--9p8-9p8-x-x-x--|
A|-0-3p0-x-x-x--3p0-3p0-x-x-x--9p8-9p8-x-x-x--9p8-9p8-x-x-x--|
D|-0-3p0-x-x-x--3p0-3p0-x-x-x--9p8-9p8-x-x-x--9p8-9p8-x-x-x--|

e|---------------------------------------------------------------|
B|---------------------------------------------------------------|
G|---------------------------------------------------------------|
D|-3p0-3p0-xxx-xxx--3p0-3p0-xxx-xxx--9p8-9p8-xxx-xxx--9p8-9/12~~-|
A|-3p0-3p0-xxx-xxx--3p0-3p0-xxx-xxx--9p8-9p8-xxx-xxx--9p8-9/12~~-|
D|-3p0-3p0-xxx-xxx--3p0-3p0-xxx-xxx--9p8-9p8-xxx-xxx--9p8-9/12~~-|

e|--------------------------------------------------|
B|--------------------------------------------------|
G|--------------------------------------------------|
D|-3p0-3p0-xxx-xxx--3p0-3p0-xxx-xxx--9p8-9p8-9/12~~-|
A|-3p0-3p0-xxx-xxx--3p0-3p0-xxx-xxx--9p8-9p8-9/12~~-|
D|-3p0-3p0-xxx-xxx--3p0-3p0-xxx-xxx--9p8-9p8-9/12~~-|

**AT THIS POINT, THE BACKGROUND GUITARS PUSH THE D-TUNA BACK IN, BRINGING THE LOW E STRING BACK UP TO E.**

BACKGROUND GUITARS PLAY PRE-CHORUS MUSIC, WITH SLIGHT AD-LIB.

Solo (2:49):

C#m E
e|----------------------------------------------------------------------|
B|----------------------------------------------------------------------|
G|----------------------------------------{11}^^11p9-11-11p9~~~~~~~-----|
D|--------------------------9-{9}~~~-11p9-------------------------------|
A|--2/4\2-/7p5-/9p7-/11p9~~---------------------------------------------|
D|----------------------------------------------------------------------|

C#m E
(2:55) + + + + + +
e|-12----14^^--12^^~~~--------------77777-h9p7h9p7h9p7h9p7h9p7h9p7---|
B|----12------------------12--0-0------------------------------------|
G|-------------------------------------------------------------------|
D|-------------------------------------------------------------------|
A|-------------------------------------------------------------------|
D|-------------------------------------------------------------------|

(3:00)
+/ +/ +/ +/ + + + +
e|-----------------------------------------------------|
B|-12p2-12p0-------------------------------------------|
G|-----------13p1--------------------------------------|
D|----------------12p2-12p4-12p5-12p4-12p2-/5p4-2~~~---|
A|-----------------------------------------------------|
D|-----------------------------------------------------|

+/ = tap with right hand and slide right finger towards the higher frets before pulling off to lower note.

F G F G
(3:03)
e|--5/17~~~-7/19^^19p17~~--5/17~~~--------------------------------------------|
B|----------------------------------------------------------------------------|
G|--------------------------------------14------16------14-16-14-16^^~~~~~~---|
D|---------------------------------0h12----0h14----0h12-----------------------|
A|----------------------------------------------------------------------------|
D|----------------------------------------------------------------------------|

Chorus 3 (3:10):

Asus2 D (G)

e|--------------------------------------------------------|
B|----0----3-----------------8-/-13-\-8-/-12--------------|
G|-2----2--2-----------------7-/-12-\-7-/-12-/-14h16p14---|
D|-2-------0-0-0-0-0-0-0-0---5-/-10-\-5-/-10-/-12---------|
A|-0-------0-0-0-0-0-0-0-0--------------------------------|
D|---------0-0-0-0-0-0-0-0--------------------------------|
Ring____| P.M__________|

e|--------------------------------------------------------------------17~~~--|
B|----0----3-----------------------------------------------------------------|
G|-2----2--2------------------------------------{0}-{1}-{2}-{3}-{4}//--------|
D|-2-------0-0-0-0-0-0-0-0--------2---2-{3}-{4}------------------------------|
A|-0-------0-0-0-0-0-0-0-0--3-5p3---5----------------------------------------|
D|---------0-0-0-0-0-0-0-0---------------------------------------------------|

e|--------------------------------------------------|
B|----0----3----------------------------------------|
G|-2----2--2-----------------------------5-6-7-6-5--|
D|-2-------0-0-0-0-0-0-0-0---3-4-5-4-3---5-6-7-6-5--|
A|-0-------0-0-0-0-0-0-0-0---3-4-5-4-3---3-4-5-4-3--|
D|---------0-0-0-0-0-0-0-0---3-4-5-4-3--------------|
Ring____| P.M__________|

Lead Part that accompanies the part above (3:28):

e|------17----20^^^------20^^^-20^^^-20^^^-20^^^-20^---|
B|---17----17------------------------------------------|
G|-----------------------------------------------------|
D|-----------------------------------------------------|
A|-----------------------------------------------------|
D|-----------------------------------------------------|

e|------------------------------------------------------------------------------------|
B|----0----3--------------------------------------------------------------------------|
G|-2----2--2--------------------9-----7------12-----10------14------12------14/16\14--|
D|-2-------0-0-0-0-0-0-0-0--0h7---0h5---0h10----0h8----0h12----0h10----0h12-----------|
A|-0-------0-0-0-0-0-0-0-0------------------------------------------------------------|
D|---------0-0-0-0-0-0-0-0------------------------------------------------------------|
Ring____| P.M__________|

Outro (3:38):

e|---------------------------------------------------------------------------------------|
B|---------------------------------------------------------------------------------------|
G|-2-2-2-2--5-5-5-5--7-7-7-7-------------------------------------------------------------|
D|-2-2-2-2--5-5-5-5--7-7-7-7----3-3-3--5-5-5--3-3-3--5-5-5--3-3-3--5-5-5--3-3-3--5-5-5---|
A|-0-0-0-0--3-3-3-3--5-5-5-5----3-3-3--5-5-5--3-3-3--5-5-5--3-3-3--5-5-5--3-3-3--5-5-5---|
D|------------------------------3-3-3--5-5-5--3-3-3--5-5-5--3-3-3--5-5-5--3-3-3--5-5-5---|

Lead part for the outro (3:38):

e|----------------10^^10p8--10p8-10p8---------------|
B|--10~~~--13~~~-------------------------20^^20p17--|
G|--------------------------------------------------|
D|--------------------------------------------------|
A|--------------------------------------------------|
D|--------------------------------------------------|

Last Chord (3:50):

e|-------|
B|-------|
G|---2---|
D|---2---|
A|---0---|
D|-------|

During the very end, Eddie goes nuts around these groups of notes (3:40+):

e|--------17-20---------------5-8----|
B|--17-20-----------------5-8--------| Add lots of artificial harmonic squeals!
G|--------------------5-7------------|
D|-----------------------------------|
A|-----------------------------------|
D|-----------------------------------

 

師兄EVH復活了，讚！眼淚又飆出來了！

 

大家的發言真是有趣
也很知性,學到很多東西

不曉得海邊的漂流木木頭好不好?
應該不見得好木頭都能作吉他吧?(檜木??)

聽老一輩的原住民朋友說
有很多深山中伐木的木頭
會亂漂而被檢到
都是上好的木頭
用來生火也可以撐許久

發現淡水和八里附近應該有機會撿到好木頭(?)

 

Who is the man behind the microphone this time? Sammy? Or that ex-Extreme guy???

 

我看上的照片有打上Van Halen 2004的字，我猜應該是Sammy Hagar吧，粉讚喔！

 

抓抓抓....抓抓抓~~

George Lynch Video

58mbs喔,這捲錄影帶我有...反而喜歡開頭的那首曲子~~

Wicked Sensation時的痛,那把ESP Custom也是超優,One-Piece啦...趕快抓...

抓抓抓....抓抓抓~~~

 

</font><blockquote>引言:</font><hr /> http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&category=38075&item=3725424765&rd=1 </font>[/QUOTE]當時Satch說跟Peavey而不跟Marshall合作是因為Marshall不願針對他的需求設計，那為何Zakk可以？

總覺得跟Zakk扯上關係的器材都貴得有些過份...