SLO 的 clean 我不會說是不好, 如果你拿 Fender 那纇的來跟他比較, 那 SLO 的聲音一定顯的呆板且不清亮, 但是搭配上適合的 Pu, 比如目前使用的 Anderson 吉他, 單切都可以擁有不錯的效果. 基本會買 SLO 應該是衝著它的 Crunch 跟 Lead 痛, 還有它的 Lifetime Transferable Warranty 雖然遠在台灣沒啥效用, 不20年過了.. SLO 仍舊是 SLO, 一點也沒有改變..
趁這個機會 請問一下前輩..... 能不能單買一個 BlackStar HT-5 Head 加上一個BlackStar 10" 喇叭 簡單來說就是 Stack 少買一個Speaker....? 這樣價位約多少呢?
換我來貼一下我的FENDER 64 Vibroverb custom 他是一台ALL TUBE的40W combo管機。 http://www.wretch.cc/album/show.php?i=prowatch&b=2&f=1986513346&p=0 http://www.wretch.cc/album/show.php?i=prowatch&b=2&f=1986513347&p=1 上面搭載的就是Eminence 15吋的單體, http://www.wretch.cc/album/show.php?i=prowatch&b=2&f=1986513350&p=4 線路採點對點處理,在音質部分clean tone的顆粒不論單雙線圈都好聽,音量開到"10"把BASS開1/TREBLE開5,加上單線圈吉他出來的drive就是標準的 Stevie Ray Vaughan的TONE!! 最特別的是他在後面多加了2 個開關,如果覺得Gain不夠可以設到"MODIFIED" 在low gain的表現上,不論藍調爵士和搖滾都合適。 http://www.wretch.cc/album/show.php?i=prowatch&b=2&f=1986513349&p=3 而瓦數部分則是多了"Diode Rectifier"這個開關,他可以讓瓦是增加到50瓦。 http://www.wretch.cc/album/show.php?i=prowatch&b=2&f=1986513348&p=2 先前接上了向當代網友購買的ETHOS Overdrive,插進去後出來的聲音真是令人飄飄欲仙阿~
一直有個問題 很多人常說Fender早期的音箱比現在的還要好聽 可是音箱這種東西又不是琴 琴可能放越久保養的好的話聲音會不錯 科技日益發達 音箱這種東西不是會越來越好嗎???? 難道是Fender品質在下降??
2010 L.A. Amp Fest 80 多顆不同的名機集合在一起, 場面真壯觀, 而且還有 amp designers 到場 - Dave Friedman, Reinhold Bogner 和 Mark Cameron 等等 照片來源 James Lugo from "Rig-Talk Forum" http://www.rig-talk.com/forum/viewtopic.php?f=3&t=82466&hilit=amp fest LA 2010
你可能真的沒用過英國製的VOX。 和中國製的差非常多,當然價錢也差很多。 為什麼要移到中國?墨西哥?韓國?無非就是降低成本提高利潤。 既然是以降低成本為考量,自然就不會用太好的零組件,做出來七分像就好了,反正便宜就有人會買。 至於好不好聽對不對,沒有太多人在乎。
2010 L.A Amp Fest Video Clips 影片來源: James Lugo "from Rig-Talk Forum" Part I <object width="640" height="385"><param name="movie" value="http://www.youtube.com/v/4kpcCcU5ZQ8?fs=1&hl=en_US&color1=0xcc2550&color2=0xe87a9f"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/4kpcCcU5ZQ8?fs=1&hl=en_US&color1=0xcc2550&color2=0xe87a9f" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="640" height="385"></embed></object> Part II <object width="640" height="385"><param name="movie" value="http://www.youtube.com/v/KlRoJzATCTc?fs=1&hl=en_US&color1=0xe1600f&color2=0xfebd01"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/KlRoJzATCTc?fs=1&hl=en_US&color1=0xe1600f&color2=0xfebd01" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="640" height="385"></embed></object>
之前有貼過的Peavey 5150 II 裡面貼了藍色和紅色的LED Clean & Crunch Channel時是藍色 Lead Channel時是紅色 裡面的電容和用料全都換更高級的了 Preamp Tube V1 Telefunken 12AX7 肋屏 V2 Sovtek 12AX7 V3 JJ ECC803S V4 Sovtek 12AX7 V5 EH 12AX7 V6 JJ ECC803S Power Tube全都是EH的6L6GC 有點想換EL34不過要調偏壓好麻煩... Clean & Crunch Channel的電路改成Mesa Mark I Lead Channel多Mod了一個SLO100,很High Gain 話說我記得5150是V1 input buffer、V2、V5、V6是Lead,V6同時也是Clean,V3是FX,V4是Phase,應該沒錯吧~~Phase是幹嘛的啊? 我剛剛測試了很多種配法,V2和V5放一隻EH和一隻Sovtek聽起來比放一隻甚至兩隻JJ更有力,少了Sovtek覺得低頻就變少了,EH聽起來也比JJ更亮 放2隻Sovtek則碎碎的不太Good 另外同樣是JJ管,Gain值也有差 我三隻JJ輪流插在V5上,結果有一隻Gain超少,一隻Gain蠻多 但是還是沒有比Sovtek加EH來得吸引我 不知道Tung Sol和GT插上去又是什麼感覺...
2010 L.A Amp Fest Video Clips 來源: James Lugo "from Rig-Talk Forum" http://www.rig-talk.com/forum/viewtopic.php?f=3&t=84318&hilit=fortin http://www.soundclick.com/bands/default.cfm?bandID=1129470&content=music LIQUID METAL - PART 1, Mesa "Racto" Dual Rectifier (early rackmount version), Mesa Dual Rectifier "Pre-500" vintage, Mesa/Boogie Mark V, Bogner Twin Jet, Bogner Uberschall, Bogner Twin Jet (Purple Mod crunch), Bogner Solo 70 Twin Jet, Friedman Naked <iframe title="YouTube video player" class="youtube-player" type="text/html" width="640" height="390" src="http://www.youtube.com/embed/poSjMZVpo0U" frameborder="0"></iframe> LIQUID METAL - PART 2, Rhodes Colossus (crunch channel) / (Hi Gain channel), VHT Pittbull 50 CL, Diezel VH4 (channel 3), Marshall 100W Super Tremolo Friedman Hairy Brown Eye/Kitchen Sink (Hi Gain), Friedman, Hughes & Kettner Triamp Mk II, Diezel Herbert <iframe title="YouTube video player" class="youtube-player" type="text/html" width="640" height="390" src="http://www.youtube.com/embed/um4HwNeseHE" frameborder="0"></iframe> THE MOD SQUAD - PART 1, Henning Plexrod 100W, Splawn Nitro, Splawn Quickrod, Surreal Hybrid 100, Event Horizon 100, Ceriatone Chupacabra 100, Marshall 100W Friedman Mod ('74), Hughes & Kettner Trilogy, Cameron Custom 75 <iframe title="YouTube video player" class="youtube-player" type="text/html" width="640" height="390" src="http://www.youtube.com/embed/-Ey52hi9gQM" frameborder="0"></iframe> THE MOD SQUAD - PART 2, Soldano SLO-100 (circa 1990, George Lynch's), Cameron CCV, Wizard Modern Classic, '71 Marshall 100W Friedman KS, Fortin Bones, Friedman (formerly "Marsha" with new transformer), Marshall Cameron (Aldridge), Marshall (Jose) <iframe title="YouTube video player" class="youtube-player" type="text/html" width="640" height="390" src="http://www.youtube.com/embed/qstm-tYn_RE" frameborder="0"></iframe>
2010 L.A Amp Fest Video Clips 來源: James Lugo "from Rig-Talk Forum" http://www.rig-talk.com/forum/viewtopic.php?f=3&t=84318&hilit=fortin http://www.soundclick.com/bands/default.cfm?bandID=1129470&content=music MID GAIN CENTRAL - PART 1, Bogner Custom Hi Gain Mojado (2 Watt), Bogner 12 Watt Mojado, Vox AC15HTVH Handwired, Jet City JCA 20H (Friedman), Egnater Tweaker, Red Plate Amps, Blackverb, Dr. Z Carmen Ghia, Marshall Club And Country (early 80's) <iframe title="YouTube video player" class="youtube-player" type="text/html" width="640" height="390" src="http://www.youtube.com/embed/x_gePWQFMsw" frameborder="0"></iframe> MID GAIN CENTRAL - PART 2, Marshall 1974X Handwired, Blankenship Carry On, Fender Twin (late 60's silverface) Blankenship mod (bypassed tone controls), Randall RM 50 -- Ecstasy Module - Tweed Bassman - "Mashall" Module - Fender Twin Module, Bad Cat Black Cat 30R, Mesa/Boogie Electra Dyne, Ugly Amps Ugly 18, Victoria Amps 35210, Fender Deluxe Reverb mid-60's Blackface (FMI), Fryette Memphis 30, Vox AC-30 Early 60's (*** NOT PLUGGED INTO TEST CABINET) <iframe title="YouTube video player" class="youtube-player" type="text/html" width="640" height="390" src="http://www.youtube.com/embed/cJ9hP-1Oy3Q" frameborder="0"></iframe> CLASSIC TONE - PART 1, Friedman Dirty Shirley, Reeves Super '78 50 Watt, Harry Joyce Custom 30, Ceriatone Plexi 100, Event Horizon 50 Watt, Event Horizon 100 Watt, Allyn Meyers Koncorde, Ugly Amps Whirley, Risson, Marshall '68 Plexi 50 watt (small head) used with Variac <iframe title="YouTube video player" class="youtube-player" type="text/html" width="640" height="390" src="http://www.youtube.com/embed/SdDg--o8FxU" frameborder="0"></iframe> CLASSIC TONE - Part 2, Marshall Kerry King JCM 800, Marshall Vintage Modern 100 Watt with KT66 Tubes, Hiwatt Custom 100 (vintage), Bogner Goldfinger 45 (stock), Bogner Goldfinger 45 (hot rod), Orange Rocker 30, Jet City 100 (stock), Ugly 100, Line 6 DT 50 (Park 75 setting), Line 6 DT 50 (class A setting), South Bay Ampworks 50W Plexi, Orange Rockerverb 50, Marshall 100W ('79), Greenleaf 35W <iframe title="YouTube video player" class="youtube-player" type="text/html" width="640" height="390" src="http://www.youtube.com/embed/7Jfxxso3WHQ" frameborder="0"></iframe>